Bolex goes digital with the D16 Cinema Camera

Bolex goes digital with the D16 Cinema Camera

There was a time, not all that long ago, when most independent film-makers shot their projects on relatively-inexpensive 16mm film – it wasn't as pricey as 35mm, but was definitely a step up from Super 8. The cameras shooting that film were quite often made by the venerable Swiss manufacturer, Bolex. Today, in the age of digital video, film-makers wanting to take a step up from consumer-grade camcorders are looking at some pretty expensive gear. LA-based entrepreneurs Joe Rubinstein and Elle Schneider are trying to change that, with the introduction of their Digital Bolex D16 Cinema Camera.

http://www.gizmag.com/digital-bolex-d16-cinema-camera/30239/

Introducing the C-Box distribution amplifier

Introducing the C-Box distribution amplifier

Real world video shooting, when professionals are involved, means you have multiple people operating the camera and making decisions on set. They all need to see the camera signal, and since most cameras output a single HD-SDI output, the only way to provide signal to multiple viewers is with an HD-SDI video distribution amplifier.

http://blog.planet5d.com/2013/12/introducing-the-c-box-distribution-amplifier/

Sony HRX-NX3 WiFi Enabled Professional Video Cameras is Here

You Know You Want One: Sony HRX-NX3 WiFi Enabled Professional Video Cameras is Here

Consumer camcorders aren't the only devices that are being updated with amazing new features, professional video cameras are getting the hi-tech upgrade as well. It seems there's a daily dose of chip sensor and resolution upgrades for professional video cameras, but some of the improvements desired by videographers are functional improvements. Sony's offering of professional video cameras is known to have innovative technology incorporated into every release, some are successful while some pass by to the side. Yesterday, Sony announced the release of the Sony HXR-NX3 professional camcorder.

http://www.videomaker.com/videonews/2013/12/you-know-you-want-one-sony-hrx-nx3-wifi-enabled-professional-video-cameras-is-here

Phantom Flex4K records fire at 1000 FPS, 4K resolution

Phantom Flex4K records fire at 1000 FPS, 4K resolution

The Phantom Flex4K camera can shoot at up to 4096x2304 resolution using its Super 35mm-sized sensor, and can capture Ultra HD 4096x2160 video at up to 1,000 frames per second. Shooting at that resolution and quality consumes around 16GB of storage a second, so despite the 1TB and 2TB removable storage system that the Flex4K uses, every shot had to be meticulously planned; with an internal buffer of 32GB, each shot could be no longer than 2.2 seconds in length.

http://www.cnet.com.au/phantom-flex4k-records-fire-at-1000-fps-4k-resolution-339346232.htm

The Digital Bolex D16 Brings Movie Magic Back: A Digital Camera for Film Lovers

The Digital Bolex D16 Brings Movie Magic Back: A Digital Camera for Film Lovers

The vintage look of many past home movies and independent films can be traced back to the Bolex camera. Bolex was the maker of many 16mm and Super 16mm film cameras. The Bolex camera of the past was noted for its spring-loaded motor and its rotating three lens turret.

Many older filmmakers have fond memories of the Bolex camera and the accessibility it granted them to the world of filmmaking. The Bolex camera is now reborn for the digital generation of filmmakers. In 2012, a Kickstarter campaign was launched to fund the Digital Bolex D16. That campaign was successful and individuals who ordered a Bolex camera through the campaign should be getting one soon. This also means that the Digital Bolex D16 should be available on the market in the near future.

http://www.videomaker.com/videonews/2013/12/the-digital-bolex-d16-brings-movie-magic-back-a-digital-camera-for-film-lovers

Sony’s New HXR-NX3 Professional Handheld HD Camcorder Adds Wi-Fi, Remote Control and Video Sharing

Sony's new HXR-NX3 professional handheld HD camcorder enhances Sony's proven imager technology and performance with features like Wi-Fi capability and MP4 recording for seamless connectivity with computers, smartphones, tablets and other mobile devices.

http://provideocoalition.com/news/story/sonys-new-hxr-nx3-professional-handheld-hd-camcorder-adds-wi-fi-remote-cont#When:22:25:00Z

The 6 best DSLR cameras for shooting videos

The 6 best DSLR cameras for shooting videos

Long ago, there was once a time when a camera was supposed to take just photos, but that all changed when Canon introduced video into their DSLRs, starting with the 5D MarkII. It wasn't that Canon dropped basic video functionality into the camera, they put something in there that was borderline magical, making the 5D a favourite among many big name Hollywood production houses. That was 2008 and now, five years later, video has become a standard feature in DSLRs. Thanks to how widespread video has become, and how cheap DSLRs are compared to professional video cameras, film making has become an incredibly wide-spread phenomenon. We've checked out the DSLRs available in the market, and for those who are looking for a camera that can do great video, we've got a few options for you right here.

http://www.thinkdigit.com/Digital-Cameras/The-6-best-DSLR-cameras-for-shooting_18724.html

A Huge Roundup of Free Tools For Film and Video Editors

A Huge Roundup of Free Tools For Film and Video Editors

Who doesn't love free stuff? Check out this round-up of free light leaks, templates, tools, presets, film grain and more to add some shine to your everyday editing tasks.

Free stuff is one of the great benefits of the Internet – loads of great contributors willing to share their expertise and generosity with anyone who wants it. As a way of maximizing that generosity and getting you some great free stuff, here's a quick roundup of some of the best free elements for video editors and motion designers!

http://www.premiumbeat.com/blog/a-huge-roundup-of-free-tools-for-film-and-video-editors/

Final Cut Pro X multi camera editing

Final Cut Pro X multi camera editing

Final Cut Pro X has a multicam feature that makes it easy to assemble a show that uses multiple cameras. This video lesson focuses on the fundamentals of using the multicamera feature within Final Cut Pro X. Learn how to sync your cameras automatically based on audio analysis!

http://www.geniusdv.com/news_and_tutorials/2013/12/final_cut_pro_x_multicamera_editing.php

The Sony FDR-AX1 & Your 4K Future

The Sony FDR-AX1 & Your 4K Future

Even though it's not yet a broadcast format, 4K production has been happening every day for years -- delivered as HD. It offers the same advantages that early HD production offered for SD delivery, including beautiful downscaling and a measure of future-proofing. Looking for a flexible, affordable way to jumpstart your 4K future? Join longtime Creative COW leader Douglas Spotted Eagle for a look at Sony's FDR-AX1 camcorder.

http://library.creativecow.net/spottedeagle_douglas/Sony-AX1-Camcorder/1

Should DSLR video shooters move to the Blackmagic Cinema Camera? Review!

Should DSLR video shooters move to the Blackmagic Cinema Camera? Review!

The original Blackmagic Cinema Camera is not new and since its launch Blackmagic introduced new models, but the 2.5K version is still a popular choice. What's more only a few months ago the camera got a lot cheaper, so this might be a good moment to get one. Jaron Schneider of Fstoppers did a great and indeep review of the camera and he also raises the question if DSLR video shooters could easily move to the BMCC. If you want to move from a Canon 5D Mark III, 60D and 70D, a Panasonic GH2 or any other DSLR over to a Blackmagic, you probably wonder if such a transition would be easy and worth it. Generally moving to the Blackmagic Cinema Camera should be a good choice, but Jaron notes that you should take into consideration the fact, that Blackmagic's camera is a bit heavy and offers terrible ergonomics if you compare it to most DSLRs. On the other hand the build quality is, as expected, solid and reliable.

http://www.motionvfx.com/mblog/should_dslr_video_shooters_move_to_the_blackmagic_cinema_camera_review,p2959.html